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NEWS ABOUT ALAN WILDER (RECOIL)

depechemode — Fri, 08 Feb 2008 18:16:51 GMT

Форум: Recoil Алана Вайлдера - Проект и Музыка
Описание темы: Новости о творчестве Алана Вайлдера (Alan Wilder)
Автор темы: depechemode
Автор последнего сообщения: MADONNA
Количество ответов: 10

FOTO & ART GALLERY

LEX — Thu, 28 Jun 2007 12:34:52 GMT

Форум: Recoil Алана Вайлдера - Проект и Музыка
Описание темы: FOTO & ART GALLERY
Автор темы: LEX
Автор последнего сообщения: LEX
Количество ответов: 12

Interviews with Wilder

LEX — Tue, 14 Nov 2006 06:41:12 GMT

ELECTROGARDEN NETWORK, January 2002
Reaching unprecedented success while molding sound and honing the production for Depeche Mode, spanning over a decade in the 80's and into the 90's, Alan Wilder reached a personal pinnacle and left the group to explore musical frontiers that were otherwise unreachable in the DM format. While many fans and industry types questioned Alan's decision to move on from the stadium-filling venues that DM had reached, the path for Alan was clear and Recoil was officially born in the aftermath. Alan, finally able to manipulate the music with total freedom and working within established relationships at Mute Records is expressing what had perhaps been suppressed during the DM years. It is relatively easy to see that Recoil releases require a far greater breadth of creativity, imposing on and challenging the astute listener to appreciate the layered intricacies of the music, unbound from predictable structures. Recoil is not a band in standard form, it is a project of expression without preset terms, enrolling various contributors, incorporating a myriad of styles and instrumentation, and approaching, in many ways, a cinematic feel. In modern times, Alan and Recoil have their own following, separate from the popularity that DM brought to the table for many years, yet many DM fans still yearn for Alan's "touch" to return there, even if for a single effort. Alan was kind enough to relay some this in his own words in an interview with Electrogarden.
EN: When did you first start thinking about Recoil? Was there something about being in Depeche Mode that left you unfulfilled musically, and if so what was it?
AW: I can't remember the exact date but it was around the mid-eighties. And it was really an accident. The first recording was never intended to be released - it was just me experimenting with a sampler by chopping up large chunks of existing Mode material (+ other stuff) and seeing if there was a way I could reconstruct it within a completely different context. It was only when I played it to Dan Miller and the idea of cutting a 12" transpired that I recognised I had the beginnings of a solo project.
EN: What were the circumstances that led to your decision to finally leave Depeche Mode? Was there any one event that finally made that happen? Can you describe how the rest of the band found out and give us some insight into Martin's, Dave's, and Andy's immediate reaction to the news? (Sort of a soap opera perspective)
AW: The reasons were complicated - an amalgamation of factors which had been building and meant that I wasn't enjoying life very much. I decided that I wouldn't make another record while stuck in a Madrid villa during the recording of 'Songs Of Faith And Devotion' (living with the other band members helped bash the nails into the coffin) but I wanted to complete the proposed 'Devotional' tour first, partly because I enjoyed being on the road and partly because I didn't have to spend all my time in close proximity with the others. When the tour was completed, I checked myself to see if I still felt the same - and I did - so I announced my departure by calling a meeting at the Mode office. I hadn't been able to speak with Dave (who was living in LA) despite having left several 'phone messages. I informed the other two of my decision and then faxed Dave (which seemed my only option) to which I got mixed reactions. None from Dave, a handshake and a shrug from Martin and aggressive indignation from Fletch.
EN: I've read somewhere that you do not consider yourself a songwriter, but rather someone that structures music and sounds, performing the orchestration of the pieces, sort of orthogonal to the whole natural songwriting process. Can you elaborate on where you see your strengths and weaknesses in that domain?
AW: Well that's pretty much it. For me it's exciting to have a vocal melody, a great voice and a set of lyrics to work with. From there, I think I can build a piece of music which can illustrate what the song's all about by, firstly, creating an atmosphere. Once that feels right, the rest of the process is structural, rather like finishing a complicated jigsaw, and I gradually fit all the elements together and refine the sound.
EN: In your own words, exactly how is Recoil a project versus a band?
AW: In many ways it is completely opposite to working within a band. There is no democracy, no pandering to ideas which I don't recognise or agree with, no compromises - although when I do bring in a singer or lyricist, I give them a virtually free rein (in that they can method act but I will edit the result). Sometimes, being alone can cause difficulties when trying to motivate yourself and the lack of support or feedback can be daunting. However, I enjoy the process of experimentation and the idea that I can just take as long as I feel like to complete a piece.
EN: Do you feel that this choice has been an impediment to Recoil's popularity since people often associate more frequently with stable band lineups?
AW: The main aspect that outsiders have a problem with is the lack of a permanent vocalist. This worries radio producers apparently - because it's too much for their small brains to absorb.
EN: What about Recoil live? How would you transpose the multiple collaborators in the studio to a live performance? Would you bring everyone to the show or is there a separate approach?
AW: I wouldn't even try it.
EN: What is the collaboration process like with Alan Wilder? Are the collaborators controlled in the studio? How much freedom is there for the collaborators own ideas to make into a Recoil release?
AW: As I touched on, collaborators are chosen carefully but then given space to do their thing, otherwise it would be pointless bringing in people with differing talents. So, as long as I have some kind of basis for a piece of music, with an atmosphere which I'm happy with, then I farm it out to whoever I feel is appropriate (sometimes more than one person). From there, we discuss and then record after which, I prefer that they leave me to reconstruct their raw material within my constantly updating piece and the whole thing is finally wrestled into shape.
EN: What do you think about some of the Electronic Pop music being made today? Bands like Mesh and De/Vision are the new leaders of this movement that started in the mid 90's - sort of like Depeche Mode was in the mid to late 80's. There are also plenty of far lesser known releases on labels like A Different Drum in the US - Do you think that we are in an upswing for the Synthpop movement?
AW: There seems to be a lot of electronic/industrial music around but, to be honest, I don't listen to much of it. I couldn't tell you who's who these days. I tend to listen to odd music, either for nostalgic reasons or because the I'm drawn towards unusual styles. I'm not actually all that interested in electronic - funnily enough, most of it leaves me cold.
EN: What does you gear look like these days? How do you prefer to record, reels or digital?
AW: I use ProTools with Logic for most of it, with two 21" monitors. Everything runs live for total flexibility and I'm always in a mix situation, balancing as I go. Sounds go through a Neve console and I have a selection of outboard valve gear to warm up the digital. See website for full gear list.
EN: Are you involved heavily in the actual engineering of the audio or do you mainly stay with the pre-production aspect of things?
AW: As it's one continuous process, I don't divide the two. I do most of the sampling and structural work in the computer alone but I do like to bring in an engineer towards the end of a project. With the last LP, Paul Kendall helped a lot with effects and so on. It's also good to get a different view on the mix at a later stage.
EN: What do you think about software-based synthesis and digital filter processing and some of the newer technologies like the evolving ProTools platform with plug-ins that are removing the need for traditional outboard gear? Do you think that paradigm is the future of recording?
AW: I still like to have some outboard gear around, particularly compressors, tape delay etc. although the digital domain is getting more and more impressive.
EN: How has working with Mute been as far as Recoil goes? Are there any artistic disputes or are you free to create as you choose?
AW: I've generally had a good relationship with Daniel Miller (who controls Mute) in that he has always respected my opinion and desires for the project - something that I imagine would have been difficult to get away with at many other companies. Mute do seem to give their artists space to develop naturally although they can also be too laid back. Perhaps a little pressure wouldn't be such a bad thing. Unfortunately, I don't think they have a clue how to market my music - so they just wait until I give them something and then go through their usual 'reactive' marketing approach. This can be frustrating and I must admit I'm finding it increasingly difficult to get enthused about making more records which will receive little support and will be perceived as 'difficult'.
EN: Is there an artistic path that you have in mind for Recoil? What can we expect stylistically in the future releases?
AW: Not sure yet.
EN: Have you ever considered releasing something in a Pop format?
AW: Not specifically, although I do think that some Recoil tracks are quite commercial, such as 'Jezebel' for example.
EN: Is there any chance of your working with Depeche Mode again?
AW: Little chance - they wouldn't ask me and I'd be unlikely to accept;-)
EN: How is your current relationship with Dave, Martin, and Andy?
AW: With Dave and Martin it is friendly enough although we only see each other occasionally. I don't really know about Fletch because I haven't seen or spoken with him for about 5 years.

EN: Thank you again, Alan: from all of us at the Electrogarden Network.
AW: You're welcome. Let us know when you have something on line so that we can link to it with a news item.

Скины

LEX — Thu, 06 Jul 2006 19:58:42 GMT

Скины - это дизайн плеера Winamp

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10 вещей которые должен знать каждый поклонник Алана

Александр — Fri, 09 Jun 2006 17:53:41 GMT

Взято С ОФИЦАЛЬНОГО САЙТА RECOIL
Народ поправьте если я ошибаюсь с переводом гдето....

10 вещей которые должен знать каждый поклонник Алана:

1. Алан пожертвовал некоторые аранжировки и дополнительное производство к 2 трекам CURVE LP

2. Алан имеет 15 кожанных курток

3. Алан носит ботинки 8-го размера

4. Музыка из альбома 'Liquid' играла в Австралийском фильме "Маска Обезьяны"

5. TV момент Алана прошлого столетия - Нил Армстронг оставил свой след на луне в 1969-м году.

6. Грусно, но правда: у Алана однажды была LADA.

7. Алан был рожден в больнице Hammersmith, в пределах вида QPR широких полос света

8. Алан однажды играл на фортепьяно трек называемый: "Шмель"

9. Любимые проектировщики мебели Алана: Phillipe Stark and Mark Brazier-Jones

10. Любимая актриса Алана Greta Scacchi (Грета Скачи) Сыгравшая в фильме ‘White Mischief’ (Белый Вред)

Who is Alan Charles Wilder?

LEX — Wed, 26 Apr 2006 12:09:02 GMT

Nick Name: Charlie (used by his close friends)
Slik (used by other Depeche Mode members)
Date of Birth: June 1st, 1959
Place of Birth: Hammersmith Hospital, Acton, West London
Hair Color: Brown
Eye Color: Gray
Height: 5ft 11 and 1/2 inches
Weight: 150 lbs (11 stone)
Family Details: A mum, dad and two brothers, girlfriend Hepsibah Sessa of Miranda Sex Garden fame, has the daughter called "Paris" and the son called "Stanley Duke"
Previous Bands: Daphne & The Tenderspots, The Korgis, Real To Real, The Hitmen, Depeche Mode
Favourite city visited: Paris, Milan
Favourite food: The good old British sandwich
Favourite Film: A Clockwork Orange
Favourite TV Show: Mr. Bean, The Match, Minder
Favourite song: Shipbuilding by Robert Wyatt
Favourite DM song: Never Let Me Down Again
Favourite DM Video: Enjoy The Silence
Most Prized Possessions: CDs, photographs, any thing personal that couldn't be replaced
Favourite group/singer: Kraftwerk
Biggest niggle: Apathy
Biggest fear: Losing my health
Ambition: To be happy

COMPILATIONS

LEX — Fri, 07 Apr 2006 11:59:29 GMT

COMPILATIONS
COVER CLASSICS
the ultimate collection of electronic coversongs
November 2, 1999
01. Depeche Mode - Route 66
02. Wolfsheim - Ruby, Don't Take Your Love To Town
03. Moby - That's When I Reached For My Revolver
04. And One - Movie Star
05. Fear Factory - Cars
06. Die Krupps - Enter Sandman
07. Armageddon Dioldos - Everyday Is Like Sunday
08. Martin L. Gore - Compulsion
09. Evils Toy - In The Army Now
10. Apoptygma Berzerk - Electricity
11. Laibach - Across The Universe
12. NoComment - You Spin Me Round
13. Recoil - Faith Healer
14. Second Decay - Born To Be Alive
15. Battery - Gangsta's Paradise
Bonus Tracks:
16. Deathline Int'l - Wild Boys
17. DAF/DOS - Der Mussolini
14 IRREGULAR FILES
A Mute Accumulation
October 21, 1999
1. Add N To (X) - Skills
2. Appliance - Soyuz
3. Echoboy - Canada
4. Komputer - Intercom 2
5. Luke Slater - Hard Knock Rock
6. Moby - Find My Baby
7. NON - Solitude
8. Pan American - Track One
9. Recoil - Chrome
10. Richie Hawtin - Excerpts from Decks, Efx & 909
11. Simon Fisher Turner - Eyes Open
12. Slick Sixty - The Wrestler
13. The Clarke & Ware Experiment - Disappearing Breakthroughs
14. The Jon Spencer Blues Explosion - Heavy (Remix, Radio Edit)
ANOTHER DISC, ANOTHER PLANET (PROCD5349)
Promot. only Reprise Records Comp. CD
1992

01. Ride - Twisterella
02. Tanita Tikaram - You Make
03. Meryn Cadell - The Sweater
04. Pale Saints - Throwing Back the Apple
05. Big Car - Rosalita
06. Poster Children - If You See Kay
07. Barkmarket - Grinder
08. Lush - Superblast!
09. Recoil - Bloodline
10. Sir Mix - A-Lot-Swap Meet Louie
11. Waterlillies - Tired of You
12. Luka Bloom - The Acoustic Motorbike
13. Ian McCulloch - Lover
14. Divine Styler - In A World
15. Little Village - The Solar
16. Kevin Welch - Me And Billy

UNSOUND APPARATUS

LEX — Thu, 06 Apr 2006 12:47:51 GMT

UNSOUND APPARATUS
Console / Monitoring
Neve 20 input, 4 x bus console
14 x 33114 mic/eq modules
6 x 33115 mic/eq modules
Yamaha 03D Digital Mixing Console
Yamaha CD8-AE Digital I/F card
Dynaudio M2 monitors
Manley designer ref. series amplifiers
Dynaudio BM15A nearfield monitors
2 x Telefunken V72 valve line amps
1 x Telefunken V76 valve mic amp
Tascam MH-40B headphone amp
Tape Machines
Sony DTC 1000ES Dat machine
Rotel RCD 965BX CD Player
Yamaha CD Burner + Masterlist software
Computer Hardware + Software
Apple Mac Power 9600 / 350 / 120 meg
2 x 21" Radius 2150 monitors
Atari computer Mega ST4
EIZO 21in monitor 6500
ProTools 24 Core System
888 / 24 Interface Unit
DSP Farm - PC I Powerpack
Bit 3 14 slot chassis
Adaptec 3940 UW scsi accelerator
Digidesign Audiomedia 111 PCI
Software: Logic Audio Platinum 3.5
Cubase version VST
Cubase version 3.0XT
Various plug-ins
Steinberg Recycle
Kensington Turbo 5.0 Mouse
Samplers
Akai S3000XL 32meg
Akai S1100 16meg
Akai S1000
Akai S- 612
Akai MD-280 Disk drive
Emulator 111
Emulator 11
Emax Turbo 11
Disk Drives
9 Gig Drive from drive list
9 Gig Back-up Drive (with retrospect)
Seagate Hawk2XL 2GB EXT HD
Iomega1 GB Jaz drive V1005
2 x Syquest 230 meg EZ230
PLI Diki device
DAC MD14000 drive
Syquest / Jaz hard discs
Keyboards / Synths
Korg O1 / W PRO X Workstation
Korg DVP-1 Vocoder
Rackmount midi moog
Minimoog Model D + FC
Obei rack
EMS VCS 3 + FC
Arp Odyssey
Wasp / Spider
OB-8
Wurlitzer electric piano
Outboard FX / Reverbs / Delays
Zoom 9010 FX processor
Yamaha SPX 9011 + FC
Lexicon PCM 70 Digital Reverb / delay
Roland R880 Reverb / delay
GC8 controller for R880
6 x Drawmer gates
2 x Drawmer compressors
Mics
B+K 4006
B+K 4011
C - Ducer Audio trigger
3 x C - Ducer Mics
Drums
Yamaha drum kit + FC / Zildjian Cymbals
Nobel & Couley snr drum 7in
Nobel & Couley piccalo snr
Percussion pads
Akai MX1000 (for above)
Drumulator 7000
Midi Synchronisers
Mark / Unicorn MTPAV midi interface
SRC/AT Synchroniser
2 x Waldorf MB15 midi bay
Akai ME30 P - midio patch bay
Yamaha MJC 8 midi box
3 x Akai ME 35 T
Roland A-110 midi display

Other
Steinway 6ft grand piano
Bosendorfer 6ft grand piano
‘Emma Newton’ electric violin
2 x acoustic violins + bows
Knight Gretch anniversary gtr
E - bow
Sony MDR CD1000 headphones

OLD INFO ABOUT RECOIL

LEX — Thu, 06 Apr 2006 11:43:19 GMT

Сваливаем сюда...

September 1, 2005 Alan Wilder back in the studio?
Last week Swiss Depeche Mode fan-website brought the information about upcoming Alan's return to the studio. According to this news Alan should start produce his new album in autumn. The official Recoil website doesn't confirm this message.
Today was the news report also publish at Recoil German pages which are accredit variant of the official website. In compliance with their exclusive information are the Swiss news truthful and all fans can look forward to new music material.
Courtesy of DepecheMode.CH & AlanWilder.DE

June 1, 2005 Alan Wilder celebrates his 46th birthday!

May 26, 2005 Alan Wilder is still tired of the music business
Douglas McCarthy says in a interview with Zero's Stefan Albinsson that Alan Wilder chosen to turn down to produce Fixmer McCarthy's upcomming album. Douglas explains that Mr. Wilder is so tired of the music business that he will leave that part of his life behind.
Unfortunately would that mean that Alan's project Recoil not will release any new material in the near future.
Douglas revealed though that a new Fixmer/McCarthy album is coming 2006.
Courtesy of Zero Magazine

June 1, 2004 Alan Wilder celebrates his 45th birthday!

December 09, 2003 Alan Wilder exclusively interview in Side-Line
The whereabouts of Alan Wilder must have been one of the hottest topics on the Depeche Mode webboards around the world for the past three years. Late November 2003 Side-Line was given the opportunity to have an interview with the man who was not only responsible for topnotch productions of his own project Recoil, but also for the sound we know from such classic Depeche Mode albums as "Black Celebration", "Music For the Masses", "Violator" or yet "Songs of Faith and Devotion" to name just a few. After his most recent solo album "Liquid" (2000) under the Recoil moniker it became quiet around Alan Wilder. He now breaks the silence in an exclusive interview for Side-Line in which he talks about his current passions, his work with Paul Kendall aka PK on the recently released “Capture” album by The Digital Intervention (a new project by Paul kendall and Olivia Louve), Mute and last but not least, the future of Recoil. Out in early January, you can pre-order this issue right now in the Side-Line shop.
The complete article is taken from Side-Line

November 11, 2003 More info about Capture
Read the story about the project and info about Paul Kendall and Olivia Louvel at The Parallel Series.

October 31, 2003 Alan Wilder works on Paul Kendall album
"Capture", the brand new release by former Mute artist Paul Kendall and Olivia Louvel under the The Digital Intervention moniker will feature arrangements by Alan Wilder so the German Alan Wilder fansite www.alanwilder.de announced. It's the first appearance of Alan Wilder in musicland since Recoil's highly acclaimed "Liquid" (2000) album. A few days work at the idylic studio of Alan Wilder bore the fruits for Alan's string arrangement on the track "Coma Idyllique". The track will appear on "Capture" which will see a release on the 0101 label after seeing 4 releases of the The Parallel Series on Mute.
Courtesy of Side-Line

October 31, 2003 Alan Wilder visited the concert of Dave Gahan
Dave Gahan continues his "Paper Monsters Tour". During the third leg he came to London's Carling Hammersmith Apollo (October 29th). This concert had one special guest. After long months of silence, but unfortunately not on the stage, Alan Charles Wilder appeared backstage. Alan willingly talked to the fans. One of these lucky people was Chris Myatt.

"After the show we were loitering in the bar area upstairs where the VIP's were so we hung about for a few minutes being nosey! I saw Johnathon Kessler so I said hello and shook his hand. Stood next to him was Alan Wilder which I had to do a double take to convince myself it was him. Not to miss the oportunity I approached him and shook his hand with the comment that "you have put weight on" to which he laughed and agreed with me!

I asked him if he would give me 5 minutes of his time to which he agreed to do. The first question I asked is if he was moving abroad to live to which he replied he wasn't - he is still living outside London (like Fletch said last week). My next set of questions were about fan websites where I began explaining about mine and in particularly fan/bootleg mixes (including his) to which his reply was "have you had permission from me?" - then he laughed by saying he "does not have a problem with it" (phew!). We started talking about fan remixes in a little more detail and his main statement about them was "a lot of them are better then the official remixes", but he didn't give any examples. I asked him if he remembered Raphy's cd - and he did!!

My wife was with me during all this so Sarah said to Alan that she had become more interested in DM since meeting me (post 1995), so Alan looked at her and said "poor you!" with a smile. (This was because I had forced my wife to listen to Bloodline earlier in the day in the car).

I had one question left for Mr Wilder that I think every fan wanted to know: "Will you ever be involved with the band again, particularly in producing an album in the future?" His reply - "Absolutely not". It wasn't the words he used but he said it with a determined accent. After this we shook hands and he left with a small crowd to go meet Dave backstage.

As you can imagine I was extremely pleased after this chat (it was my birthday after all), but to meet Alan after 18 years of trying it was worth the wait - a very warm and honest man."

Courtesy of Chris Myatt
Discuss about it

August 4, 2003 Martin Gore sang a part of Recoil song
The curly-top Martin Gore changed the lyrics of In your Room during his solo concert in Myan (Los Angeles) on May 7th. At the end of the song, when Peter Gordeno was playing the last chords, Martin was singing the chorus of Control Freak You’re all I need to get high. Control Freak is from album Unsound Methods and it's written by Alan Wilder and Maggie Estep. Original vocals are also by Maggie Estep. You can here download this rare part here.
Discuss about it

June 1, 2003 Alan Wilder celebrates his 44th birthday!

April 30, 2003 Dave Gahan recalls Alan Wilder
The future of Depeche Mode has been questioned by Dave Gahan during an interview with the Danish tabloid Ekstra Bladet. In the interview Gahan is quoted saying that his relation with composer Martin Gore is rather difficult due to Gore limiting Gahan's musical input: "My frustration has been growing over a long period of years. I have always felt that I've deceived myself - that I ought to have more influence. The reason why I haven't is both that I haven't been aggressive enough towards Martin, but also because I know that he simply isn't susceptible to advices and ideas of any kind." Gahan furthermore says that the band will get together later on this year to talk things through: "We will probably have a talk sometime next year, but there are no guarantees that we will make another record." In the chat Gahan also insists that Gore's lack of openness was the main reason that the creative sound arcitect of the group, Alan Wilder, left the band. Gahan: "Martin wouldn't acknowledge that Alan contributed incredibly much to Martin's songs. And now I think you can easily say Alan's input is missed. I actually think that even Martin would admit that today. And that is something he probably ought to call and tell Alan after all these years. He would definately appreciate it." The interview turns rather hilarious when Gahan talks about how producer Mark Bell was faced with the "Exciter" material and Gore's apathy towards production: "Our producer on 'Exciter', Mark Bell, said that he really wouldn't make the entire album for us. So then i had to tell him some news: "Yes you f'u'c'king are!". And then he just pulled up his sleeves and went to work with the computer and Martin would look him over the shoulder and mumble "o.k.""
Courtesy of Side-Line

January 23, 2003 Stalker - Recoil.CZ special: bootleg "Unsound Liquid"
The Sound-wave section of this site went through large charges. We're proud to announce first release and provision new Belgian Recoil bootleg called "Unsound Liquid". You'll find each week new song from this album here. For more info visit Sound-Wave.
Go straight to 'Sound-wave'

January 14, 2003 New Recoil album???
We found the message about upcoming new Recoil album on polish unofficial Depeche Mode website Shame. The new LP should be scheduled to autumn of this year. Shunt and Side-Line don't report this event so this announcement is unconfirmed!

June 1, 2002 Alan Wilder celebrates his 43rd birthday!

May 10, 2002 Mute sold to EMI
Mute is no longer an independent label. EMI have announced today that they have acquired Mute, one of Europe’s leading independent record companies, with an artist roster that includes Recoil, Depeche Mode, Moby and many more indie acts. With the acquisition EMI is extending an existing licensing relationship that Mute has had with EMI’s Virgin Records for over 15 years. Founded in London in 1978 by Daniel Miller, Mute has consistently been at the forefront of artist development. Miller, executive chairman of Mute, will continue to be responsible for all of the company’s global activities. EMI will pay 23 million UK pounds for Mute, plus up to 19 million UK pounds of potential performance-related payments, over a period of four years. The take-over did not really come as a surprise, in previous interviews Miller already argumented that joining up with a major would be one of the most logical decisions for the near future.

April 30, 2002 The Curve finish work on new album
The new record for UK band The Curve has been recorded and mixed. "Alan is busy mastering editing and compiling and should have finished masters by the end of this week", the band reports. The album is called "The New Adventures of Curve" and features 7 new songs along with two new re recordings of "Superblaster" and "Recovery" both of which are very different from the originals. Also included is a remix from Deepsky. The New Adventures will be available as a limited edition web release exclusively from MNS, Side-Line's e-partner. There will only be a small number pressed so be sure to get your order in. The web release should be available in 6 weeks time possibly sooner depending on turnaround times at the pressing plant.
Courtesy of Side-Line

The biography of Alan Wilder & Recoil

depechemode — Thu, 06 Apr 2006 08:13:32 GMT

Форум: Recoil Алана Вайлдера - Проект и Музыка
Описание темы: Биография и каръера Алана Вайлдера, сольное творчество
Автор темы: depechemode
Автор последнего сообщения: LEX
Количество ответов: 1